She is also the sister of Oedipus through incest, since he married his own mother, Iocasta.
The character Antigone chooses not to conform to society. Instead she stays true to her religious beliefs. Sophocles portrays Antigone as being strong alone when no one else supports her decision to bury Polynices. It is naturally tempting for humans to go along with the bystander effect.
This is not true for Antigone though. She goes against Creon in her efforts to bury Polynices alone. If she had not been alone in her revolt against the law, the results of her actions may have been different.
Though the people of Thebes agreed with Antigone, the fact that they did not rise to her side could have been seen as a contribution to her downfall.
Antigone disobeys Creon alone still knowing the consequences to come. She does not fear death or the wrath of Creon.
Antigone displays no fear of the outcome her actions could bring. Despite all she has been through, she is still able to do what she feels is best even without the support of her fellow citizens of Thebes. Perhaps if she had succor and encouragement, the result of her behavior may have been positive instead of negative.
Creon also stands alone but in a different way. Even though the people of Thebes, except for Antigone, followed his law, they did not agree with it.
The prophet Tiresias, who is never wrong, tells Creon that it is not a good idea to not bury Polynices and that it will anger the gods.
Despite the wise advice from Tiresias, Creon still passes the law that states no one shall bury Polynices or mourn his death.
He stands alone in this decision and is not willing to listen to the opinions of others. It analyzes the struggle of finding a balance between being strong alone and being strong in a crowd.
|Antigone (Sophocles play) - Wikipedia||Divine law, Greek custom, and simple humanity demand, however, that Antigone see her brother buried; she must choose, therefore, between obedience to the temporal rule of Creon and the duty she owes to a brother she had loved.|
|Feminism in Antigone by Ben Johnson on Prezi||Analysis of Antigone and Ismene The personalities of the two sisters; Antigone and Ismene, are different from one another as tempered steel is from a ball of cotton.|
Both Antigone and Creon stand alone, but there intentions are different. Antigone has a strong grasp on her morals and is able to do what is right even when no one supports her. Creon on the other hand does what he wants despite the fact it is wrong and goes against the gods.Sophocles develops the character of Antigone throughout the tragedy, using her to represent family values and female strength.
Antigone embodies strong feminine characteristics to stand up for a divine and universal principle demanded by the deities.
GENDER PRIDE AS TRAGIC FLAW IN SOPHOCLES’ ANTIGONE Omolara Kikelomo OWOEYE Department of English and Literary Studies Oftentimes in the analysis of literary characters, it is discovered that their actions and/or identification as male or female.
Antigone, the tragic hero who defies Creon in order to give her brother a proper burial. Creon, a tyrant who abuses his power and loses his family.
Haemon, Creon's son, who commits suicide at the. Antigone (/ æ n ˈ t ɪ ɡ ə n i / ann-TIG-ə-nee; Ancient Greek: Ἀντιγόνη) is a tragedy by Sophocles written in or before BC..
Of the three Theban plays Antigone is the third in order of the events depicted in the plays, but it is the first that was written.
The play expands on the Theban legend that predates it, and it picks up where Aeschylus' . Sophocles wrote Antigone with a specific character in mind for this part. Based on Aristotle’s definition, Creon is the tragic hero of Antigone.
Creon fits Aristotle’s tragic hero traits as a significant person who is faced with difficult decisions. When these two willful characters collide, the clash isn't just symbolic of government vs.
family; it's also symbolic of man vs.
the gods. Throughout the play there are signs in the natural world that the gods are on the side of Antigone.